M&T: Tell us about your process of making. Are any two objects ever the same? JS: They can be to a degree, but I love to give them a slight difference. For example, when I make butter knives in batches of 20 or 30, I use a paper template to make each outline. But when I shave them down, they always come out slightly different because of small variations in the material. I have to make a decision on each one – is this going to taper a little more here or there? I can’t produce exactly the same thing every time – although it is possible do that working by hand, but what’s the point? My aim is to...
Because complex modern society is maintained only through specialization, most of us focus our career development in one narrow track. We develop skills in one area in order to get a job to make money to pay other specialists to make and repair our stuff. It is possible in the modern world to become a renowned expert in a particular discipline but be helpless in every other area of life. But it was not always this way. Before Americans turned to factory work in the 19th century, skilled tradesmen worked for the most part on their own or in small shops that offered diverse goods and services. Especially in rural settings, defining one’s occupation was tricky. Was humble Jack a...
The back-to-the-land movement (as well as more recent offshoots such as the farm-to-table trend in dining) seeks to short-circuit the elaborate industrial complex that produces most of our consumable and durable goods these days. Proponents of the philosophy point to the loss of skill that is evident in the average person for basic tasks; to the health and environmental effects of large-scale industrialization; and to the sociological harm that comes of being dependent on technologies that are beyond the control or comprehension of most individuals. This dependence becomes crippling when a technological or supply-chain disruption renders us incapable of executing those basic tasks that we have turned over to mechanization. Even as we enjoy the benefits and ease that these...
The first challenge both men experienced was the exponential development of machine technology which began in earnest during Morris’ generation and continued on through Nakashima’s. Nakashima, Morris, and Ruskin before them, recognized that handwork, especially when undertaken with creativity and individuality, infused the work with both a tangible sense of human input and with a level of detail and quality that distinguished it from mass-produced machine work. That unique human quality went missing from machine-produced furniture because the latter relied on standardized dimensioning; repeatability; and mass-produced, surface-mounted ornamentation. Morris saw no future in these processes. In his 1884 lecture, “Useful Work versus Useless Toil,” he optimistically predicted the demise of machinery, which “would probably, after a time, be somewhat restricted...
In the early 1990s, I began my woodworking journey with a couple of vintage Stanley bench planes and a Fine Woodworking book on hand tools. I dutifully followed the book’s instructions on setting up and sharpening my new planes, and everything was going pretty well until I came to the section on setting the cap iron (also known as the chipbreaker). According to the author, for difficult hardwoods I was supposed to set the edge of the cap iron “as close as possible” to the cutting edge. So I did, and disaster ensued. I could barely push the plane; it shuddered, shook, and quickly came to an unceremonious halt, the mouth hopelessly clogged with balled-up shavings. I moved the cap...
“What we call green woodworking today carried no such particular distinction in the past. Vernacular woodcraft began in the forest, and made great use of the metamorphosing properties of wood as it changes from soft and saturated to hard and dry. Most everything a typical household needed, from treen to transportation, was produced through this process. Nowadays, much of that intimacy with this raw material has been lost as modern woodworkers turn to machines that rely on tame wood and massive infrastructure to function properly. But trees are not tame, and require knowledge and patience to work in the old way. There are valuable returns for the effort, not just in terms of fulfillment for the individual maker, but in...
This weekend was incredible. We had a full house of close to 30 people in the shop, wrapping and shipping out Issue Six. We had people from all over New England, New York, and even as far as Minnesota. There was, as always, an abundance of incredible food (thank you, Julia and Andrea) and life-changing conversation. Even though I have experienced it with each issue, I was again in awe that most everyone that comes to these things seems to be deeply moved. During the week leading up to the event, Mike and I had several interactions with folks in town explaining what exactly it was we were doing over the weekend. We explained that we spend weeks preparing...
Today is the last day to get in your pre-order for Issue Six. After tomorrow, Issue Six will no longer have free domestic shipping and come wrapped in brown paper and wax-sealed trade card. If you don’t want to miss this pre-order window, You can subscribe today. or You can order Issue Six by itself. We are so excited about how this issue has turned out. There is such a rich diversity of content spanning conversations about slöjd, William Morris, George Nakashima, Revolutionary War chairmaking, German tradition painted decoration, making your own woodworking tools, and so much more. Despite the breadth, though, this issue has the strongest cohesiveness yet. There must have been something in the air, because each author seems...
In this episode of our podcast, Mike discusses his article “A Tale of Two Trees: The Radical Efficiency of Green Woodworking” in upcoming Issue Six. Mike presents a big picture view of procuring lumber by comparing industrial logging and milling with harvesting your own with hand tools. He makes the startling (and compelling) case that green woodworking is more efficient in the big picture than highly developed industrial processing. We discuss the value of curved branches, the genius of coppicing, and working the material before it dries.
Items Mentioned in this Podcast:
Issue Six
Dawson Moore – Michigan Sloyd
Look at what we’ve got: Issue Six has arrived at our storage facility! This means we’re now getting close to shipment to customers – we’ve got one week, in fact, to get ready for the big packing party. Monday, April 1st, after the weekend-long packing, we will be driving a full truck to the Post Office. (Joel, our awesome Postmaster, here at our tiny Blue Hill Post Office arranges for a special truck to be ready to receive our massive deliveries. Joel’s the best.) Our printer has been dialing in the printing of each issue better and better and this one is the best yet. I won’t get into the technical details, but basically, the premium uncoated paper (70# Finch...
